一只狗 — dual-screen anime desk, Shanghai

Left screen: a dark, tattooed figure submerged in deep blue water, moody and precise. Right screen: a cozy Christmas lofi scene, warm light, soft snow outside the window. A white keyboard sits between them, unfazed.

The rest of the surface holds its own — fairy lights looping along the mat's edge, a mini Christmas tree anchoring the right side, plushies and figurines scattered with intention, a twin-lens film camera quietly watching from the left, two oversized tropical leaves framing the whole scene from behind.

Two aesthetics. One surface. No compromise needed.